The history of the handkerchief – archive, 1923

Someone raised the question the other day as to why pocket-handkerchiefs are always square. Pocket handkerchiefs are not always square – at least they have been square only since Louis XVI decreed that all handkerchiefs should be of a length equal to their breadth. There is a portrait in the Louvre of the time of Henry IV in which a Parisienne is holding a hexagonal pocket-handkerchief. It was the manufacturers who induced the King to decree the squareness of the pocket-handkerchief, which has more or less obtained ever since.

Even the present elaboration of design and colouring has not sought really to change the shape of what has now become a democratic element in life. For the handkerchief has not always been at the beck and call of everyone. It has had an aristocratic career, and it has even had political significance. Originally it was the mark of the Oriental prince, who wore it at his girdle, and that fine breadth of power which enabled Cyrus the Persian to forbid his subjects to attend to their noses in public would certainly have crushed the minion who dared aspire to the prerogative of his master.

Thus at the very beginning the handkerchief became a distinguishing mark of good society, and smart young Greeks had to decide whether to wipe their brow with their handkerchief or merely with their draperies. As they carried two – one in the hand and one at the girdle, – it was probably the former which ministered to the Classic brow. The Romans, who were inclined to overdo things Greek, carried, not two, but, several handkerchiefs, for each of which they had a different name, thus adding to the difficulties of Latin primers from a very early date.

 

The handkerchief then bounds across the dark ages to sixteenth-century Italy, brought there perhaps earlier by the indefatigable Marco Polo, and becoming fashionable suddenly and arbitrarily with such zest as to make it the object of sumptuary laws. The “fazzoletto” was an important item in the Italian bridal chest, and the bride was known by the richness and extravagance of her handkerchiefs. Thence it spread to France, and last of all to England, where it was regarded as a wicked extravagance by the older generation. There was even an Irish question in pocket handkerchiefs.